The Resource Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham

Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham

Label
Tonality as drama : closure and interruption in four twentieth-century American operas
Title
Tonality as drama
Title remainder
closure and interruption in four twentieth-century American operas
Statement of responsibility
Edward D. Latham
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Latham, Edward David
Government publication
government publication of a state province territory dependency etc
Illustrations
  • illustrations
  • music
Index
index present
LC call number
MT95
LC item number
.L37 2008
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Operas
  • Opera
  • Joplin, Scott
  • Weill, Kurt
  • Gershwin, George
  • Copland, Aaron
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
Tonality as drama : an introduction -- Dramatic closure : the Stanislavsky system and the attainment of character objectives -- Tonal closure : a Schenkerian approach to tonal drama -- The completed background line with open-ended coda : Scott Joplin's "grand opera" Treemonisha (1911) -- The multi-movement Anstieg or initial ascent : George Gershwin's "folk opera" Porgy and Bess (1935) -- The multi-movement initial arpeggiation : Kurt Weill's "Broadway opera" Street scene (1947) -- The prolonged permanent interruption : Aaron Copland's "operatic tone poem" The tender land (1954)
Dimensions
24 cm.
Extent
xv, 221 p.
Isbn
9781574412499
Isbn Type
(cloth : alk. paper)
Lccn
2008013679
Other physical details
ill., music
System control number
  • 3125445-01okla_normanlaw
  • (SIRSI)3125445
  • (Sirsi) o220098192
  • (OCoLC)220098192
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham
Publication
Bibliography note
Includes bibliographical references and index
Contents
Tonality as drama : an introduction -- Dramatic closure : the Stanislavsky system and the attainment of character objectives -- Tonal closure : a Schenkerian approach to tonal drama -- The completed background line with open-ended coda : Scott Joplin's "grand opera" Treemonisha (1911) -- The multi-movement Anstieg or initial ascent : George Gershwin's "folk opera" Porgy and Bess (1935) -- The multi-movement initial arpeggiation : Kurt Weill's "Broadway opera" Street scene (1947) -- The prolonged permanent interruption : Aaron Copland's "operatic tone poem" The tender land (1954)
Dimensions
24 cm.
Extent
xv, 221 p.
Isbn
9781574412499
Isbn Type
(cloth : alk. paper)
Lccn
2008013679
Other physical details
ill., music
System control number
  • 3125445-01okla_normanlaw
  • (SIRSI)3125445
  • (Sirsi) o220098192
  • (OCoLC)220098192

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