The Resource The iconography of Malcolm X, Graeme Abernethy

The iconography of Malcolm X, Graeme Abernethy

Label
The iconography of Malcolm X
Title
The iconography of Malcolm X
Statement of responsibility
Graeme Abernethy
Creator
Subject
Genre
Language
eng
Summary
  • "From Detroit Red to El-Hajj Malik El-Shabazz, the man best known as Malcolm X restlessly redefined himself throughout a controversial life. His transformations have appeared repeatedly in books, photographs, paintings, and films, while his murder set in motion a series of tugs-of-war among journalists, biographers, artists, and his ideological champions over the interpretation of his cultural meaning. This book marks the first systematic examination of the images generated by this iconic cultural figure--images readily found on everything from T-shirts and hip-hop album covers to coffee mugs. Graeme Abernethy captures both the multiplicity and global import of a person who has been framed as both villain and hero, cast by mainstream media during his lifetime as "the most feared man in American history," and elevated at his death as a heroic emblem of African American identity. As Abernethy shows, the resulting iconography of Malcolm X has shifted as profoundly as the American racial landscape itself. Abernethy explores Malcolm's visual prominence in the eras of civil rights, Black Power, and hip-hop. He analyzes this enigmatic figure's representation across a variety of media from 1960s magazines to urban murals, tracking the evolution of Malcolm's iconography from his autobiography and its radical milieu through the appearance of Spike Lee's 1992 biopic and beyond. Its remarkable gallery of illustrations includes reproductions of iconic photographs by Richard Avedon, Eve Arnold, Gordon Parks, Henri Cartier-Bresson, and John Launois. Abernethy reveals that Malcolm X himself was keenly aware of the power of imagery to redefine identity and worked tirelessly to shape how he was represented to the public. His theoretical grasp of what he termed "the science of imagery" enabled him both to analyze the role of representation in ideological control as well as to exploit his own image in the interests of black empowerment. This provocative work marks a startling shift from the biographical focus that has dominated Malcolm X studies, providing an up-to-date--and comprehensively illustrated--account of Malcolm's cultural afterlife, and addressing his iconography in relation to images of other major African American figures, including Martin Luther King, Jr., Angela Davis, Kanye West, and Barack Obama. Analyzing the competing interpretations behind so many images, Abernethy reveals what our lasting obsession with Malcolm X says about American culture over the last five decades"--
  • "Illuminates the origins, evolution, diverse meanings and continuing power and contested presence of the visual representations of African American leader Malcolm X (1925-1965)"--
Member of
Assigning source
  • Provided by publisher
  • Provided by publisher
Biography type
contains biographical information
Cataloging source
DLC
http://library.link/vocab/creatorName
Abernethy, Graeme
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
BP223.Z8
LC item number
L5713 2013
Literary form
non fiction
Nature of contents
bibliography
Series statement
CultureAmerica
http://library.link/vocab/subjectName
  • X, Malcolm
  • Image (Philosophy)
Label
The iconography of Malcolm X, Graeme Abernethy
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages [229]-272) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: The Science of Imagery -- 1. Early Images of Malcolm X (1957-1965) -- 2. The Autobiography of Malcolm X (1965) -- 3. Mainstream Culture and Cultural Revolution (1965-1980) -- 4. From Hollywood to Hip-Hop (1980 to the present) -- Conclusion: Continuing Signification
Dimensions
25 cm.
Extent
viii, 293 pages
Isbn
9780700619207
Isbn Type
(hardback)
Lccn
2013018932
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
  • 4212542-01okla_normanlaw
  • (SIRSI)4212542
  • (Sirsi) o840161043
  • (OCoLC)840161043
Label
The iconography of Malcolm X, Graeme Abernethy
Publication
Bibliography note
Includes bibliographical references (pages [229]-272) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: The Science of Imagery -- 1. Early Images of Malcolm X (1957-1965) -- 2. The Autobiography of Malcolm X (1965) -- 3. Mainstream Culture and Cultural Revolution (1965-1980) -- 4. From Hollywood to Hip-Hop (1980 to the present) -- Conclusion: Continuing Signification
Dimensions
25 cm.
Extent
viii, 293 pages
Isbn
9780700619207
Isbn Type
(hardback)
Lccn
2013018932
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
  • 4212542-01okla_normanlaw
  • (SIRSI)4212542
  • (Sirsi) o840161043
  • (OCoLC)840161043

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