The Resource Remix theory : the aesthetics of sampling, Eduardo Navas, (electronic resource)

Remix theory : the aesthetics of sampling, Eduardo Navas, (electronic resource)

Label
Remix theory : the aesthetics of sampling
Title
Remix theory
Title remainder
the aesthetics of sampling
Statement of responsibility
Eduardo Navas
Creator
Subject
Genre
Language
  • eng
  • eng
Summary
Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and '80s in relation to art and media at the beginning
Cataloging source
MiAaPQ
http://library.link/vocab/creatorName
Navas, Eduardo
Dewey number
720.9
Illustrations
illustrations
Index
index present
Language note
English
LC call number
NX456.5.A66
LC item number
N28 2012
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Appropriation (Art)
  • Sampling (Sound)
  • Remixes
  • Mashups (World Wide Web)
  • Aesthetics, Modern
Label
Remix theory : the aesthetics of sampling, Eduardo Navas, (electronic resource)
Instantiates
Publication
Note
Description based upon print version of record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Table of Contents; Acknowledgments; Preface; Introduction: Remix and Noise; Chapter One: Remix[ing] Sampling; Sampling Defined; The Three Chronological Stages of Mechanical Reproduction; The Four Stages of Remix; Analytics: From Photography to Remix Culture; The Cultural Understanding of Photography and Film in Print; The Cultural Understanding of Recording and Sampling in Print; The Cultural Understanding of Collage and Photomontage in Print; The Cultural Understanding of Music Recording and Music Sampling in Print
  • The Cultural Understanding of Remix and Remix Culture in PrintThe Regressive Ideology of Remix; Chapter Two: Remix[ing] Music; A Night at Kadan, San Diego, CA; Dub, B Sides and Their [re]versions in the Threshold of Remix; The Threshold in Dub; Dub: From Acetate to Digital; Subversion and the Threshold; Analytics: From Reggae to Electronic Dub; Analysis of Dub and Reggae Recordings; Analysis of Trip Hop and Electronic Dub Recordings; Dub in Hip-Hop, Down Tempo and Drum 'n' Bass; Dub 'n' Theory; Dub-b-[ing] the Threshold; Dub 'n' Remix; Bonus Beats: Remix as Composing
  • Chapter Three: Remix[ing] TheoryRemix Defined; Allegory in Remix; Analytics: Variations of the Reflexive Remix in Music; Analysis of Electronic Music Remixes: "Born Sleepy"; The Regenerative Remix; Remix in Art; The Waning of Affect in Remix; Remix in the Culture Industry; Mashups Defined; From Music to Culture to Web 2.0; Web Application Mashups; The Ideology Behind the Reflexive Mashup; Analytics: From Music Video to Software mashups; Sampling and the Reflexive Mashup; Resistance in Remix; Remix in History; Remix in Blogging; Bonus Beats: Remix in Culture; Chapter Four: Remix[ing] Art
  • A Late Night in BerlinRemix is Meta; The Role of the Author and the Viewer in Remix; The Role of the Author and the Viewer in Performanceand Minimalism; New Media's Dependence on Collaboration; The Curator as Remixer; Online Practice and Conceptualism; The Regressive Ideology of Remix, Part 2; Bonus Beats: The Transparency of Remix; Conclusion: Noise and Remix; Periférico, Mexico City; After the Domestication of Noise; Bonus Beats: the Causality of Remix; Index
Dimensions
unknown
Extent
1 online resource (185 p.)
Form of item
online
Isbn
9783709112632
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000327960
  • (EBL)1030792
  • (OCoLC)825768358
  • (SSID)ssj0000942574
  • (PQKBManifestationID)11492204
  • (PQKBTitleCode)TC0000942574
  • (PQKBWorkID)10974328
  • (PQKB)11483222
  • (MiAaPQ)EBC3069668
  • (EXLCZ)992670000000327960
Label
Remix theory : the aesthetics of sampling, Eduardo Navas, (electronic resource)
Publication
Note
Description based upon print version of record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Table of Contents; Acknowledgments; Preface; Introduction: Remix and Noise; Chapter One: Remix[ing] Sampling; Sampling Defined; The Three Chronological Stages of Mechanical Reproduction; The Four Stages of Remix; Analytics: From Photography to Remix Culture; The Cultural Understanding of Photography and Film in Print; The Cultural Understanding of Recording and Sampling in Print; The Cultural Understanding of Collage and Photomontage in Print; The Cultural Understanding of Music Recording and Music Sampling in Print
  • The Cultural Understanding of Remix and Remix Culture in PrintThe Regressive Ideology of Remix; Chapter Two: Remix[ing] Music; A Night at Kadan, San Diego, CA; Dub, B Sides and Their [re]versions in the Threshold of Remix; The Threshold in Dub; Dub: From Acetate to Digital; Subversion and the Threshold; Analytics: From Reggae to Electronic Dub; Analysis of Dub and Reggae Recordings; Analysis of Trip Hop and Electronic Dub Recordings; Dub in Hip-Hop, Down Tempo and Drum 'n' Bass; Dub 'n' Theory; Dub-b-[ing] the Threshold; Dub 'n' Remix; Bonus Beats: Remix as Composing
  • Chapter Three: Remix[ing] TheoryRemix Defined; Allegory in Remix; Analytics: Variations of the Reflexive Remix in Music; Analysis of Electronic Music Remixes: "Born Sleepy"; The Regenerative Remix; Remix in Art; The Waning of Affect in Remix; Remix in the Culture Industry; Mashups Defined; From Music to Culture to Web 2.0; Web Application Mashups; The Ideology Behind the Reflexive Mashup; Analytics: From Music Video to Software mashups; Sampling and the Reflexive Mashup; Resistance in Remix; Remix in History; Remix in Blogging; Bonus Beats: Remix in Culture; Chapter Four: Remix[ing] Art
  • A Late Night in BerlinRemix is Meta; The Role of the Author and the Viewer in Remix; The Role of the Author and the Viewer in Performanceand Minimalism; New Media's Dependence on Collaboration; The Curator as Remixer; Online Practice and Conceptualism; The Regressive Ideology of Remix, Part 2; Bonus Beats: The Transparency of Remix; Conclusion: Noise and Remix; Periférico, Mexico City; After the Domestication of Noise; Bonus Beats: the Causality of Remix; Index
Dimensions
unknown
Extent
1 online resource (185 p.)
Form of item
online
Isbn
9783709112632
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000327960
  • (EBL)1030792
  • (OCoLC)825768358
  • (SSID)ssj0000942574
  • (PQKBManifestationID)11492204
  • (PQKBTitleCode)TC0000942574
  • (PQKBWorkID)10974328
  • (PQKB)11483222
  • (MiAaPQ)EBC3069668
  • (EXLCZ)992670000000327960

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