The Resource Prose Writing, 1910-1950. Vol. 6

Prose Writing, 1910-1950. Vol. 6

Label
Prose Writing, 1910-1950. Vol. 6
Title
Prose Writing, 1910-1950. Vol. 6
Title variation
  • Cambridge History of American Literature: Prose writing, 1910–1950. 1st Ed. Vol. 6
  • Cambridge History of American Literature Vol. 6 Prose writing, 1910–1950, 1st Edition
  • Cambridge History of American Literature. Vol 6
Creator
Contributor
Author
Subject
Genre
Language
  • eng
  • eng
Summary
Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context
Cataloging source
PQKB
http://library.link/vocab/creatorName
Bercovitch, Sacvan
Dewey number
810.9004
Language note
English
LC call number
PS369
LC item number
.C24 2002
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Bercovitch, Sacvan
  • Patell, Cyrus R. K
http://library.link/vocab/subjectName
  • English
  • American Literature
  • Languages & Literatures
  • United States
Label
Prose Writing, 1910-1950. Vol. 6
Instantiates
Publication
Note
Bibliographic Level Mode of Issuance: Monograph
Abbreviated title
  • CAMBRIDGE HISTORY OF AMERICAN LITERATURE
  • PROSE WRITING, 1910-1950
Carrier category
online resource
Carrier category code
  • cr
Content category
text
Content type code
  • txt
Contents
  • Frederick Jackson Turner in The Dream City
  • Henry Adams's Education and The Grammar of Progress
  • Jack London's Career and Popular Discourse
  • Innocence and Revolt in the "Lyric Years": 1900-1916
  • The Armory show of 1913 and the Decline of Innocence
  • The Play of Hope and Despair
  • The Great War and The Fate of Writing
  • Fiction in a Tme of Plenty
  • When the War Was Over: the Return of Detachment
  • The "Jazz Age" and the "Lost Generation" Revisited
  • A Cultural History of the Modern American Novel: Introduction
  • The Perils of Plenty, or How The Twenties Acquired a Paranoid Tilt
  • Disenchantment, Flight, and The Rise of Professionalism in an Age of Plenty
  • Class, Power, and Violence in a New Age
  • The Fear of Feminization and The Logic of Modest Ambition
  • Marginality and Authority
  • Race, Gender, and Region
  • War as Metaphor: The Example of Ernest Hemingway
  • The Fate of Writing During the Great Depression
  • The Discovery of Poverty and the Return of Commitment
  • The Search for "Culture" as a Form of Commitment
  • David Minter
  • Three Responses: The Examples of Henry Miller, Djuna Barnes, and John Dos Passos
  • Residual Individualism and Hedged Commitments
  • The Search for Shared Purpose: Struggles on the Left
  • Documentary Literature and The Disarming of Dissent
  • The Southern Renaissance: Forms of Reaction and Innovation
  • History and Novels
  • Novels and History: The Example of William Faulkner
  • Fictions of the Harlem Renaissance
  • A New Negro?
  • Rafia Zafar
  • A Dream City, Lyric Years, and a Great War
  • Black Manhattan
  • Avatars and Manifestos
  • Harlem as A State of Mind: Hughes, McKay, Toomer
  • A New Negro, A New Woman: Larsen, Fauset, Bonner
  • "Dark -- Skinned Selves Without Fear or Shame: Thurman and Nugent"
  • Genre in The Renaissance: Fisher, Schuyler, Cullen, White, Bontemps
  • Southern Daughter, Native Son: Hurston and Wright
  • Black Modernism
  • Ethnic Modernism
  • Introduction
  • The Novel as Ironic Reflection
  • Werner Sollors
  • Gertrude Stein and "Negro Sunshine"
  • Ethnic Lives and "Lifelets"
  • Ethnic Themes, Modern Themes
  • Mary Antin: Progressive Optimism against The Odds
  • Who is "American"?
  • American Languages
  • All the Past We Leave Behind? Ole E. Rölvaag and the Immigrant Trilogy
  • Modernism, Ethnic Labeling, and The Quest for Wholeness: Jean Toomer's New American Race
  • Freud, Marx, Hard-Boiled
  • Confidence and Uncertainty in The Portrait of A Lady
  • Hemingway Spoken Here
  • Henry Roth: Ethnicity, Modernity, and Modernism
  • The Clock, The Salesman, and the Breast
  • Was Modernism Antitotalitarian?
  • Facing the Extreme
  • Grand Central Terminal
  • Lines of Expansion
  • Four Contemporaries and the Closing of the West
  • Chicago's "Dream City"
Extent
1 online resource (xx, 620 pages)
Form of item
online
Isbn
9781139053594
Media category
computer
Media type code
  • c
Other physical details
digital, PDF file(s).
Specific material designation
remote
System control number
  • (CKB)1000000000419305
  • (SSID)ssj0000399993
  • (PQKBManifestationID)11298988
  • (PQKBTitleCode)TC0000399993
  • (PQKBWorkID)10393782
  • (PQKB)10381809
  • (UkCbUP)CR9781139053594
  • (EXLCZ)991000000000419305
Label
Prose Writing, 1910-1950. Vol. 6
Publication
Note
Bibliographic Level Mode of Issuance: Monograph
Abbreviated title
  • CAMBRIDGE HISTORY OF AMERICAN LITERATURE
  • PROSE WRITING, 1910-1950
Carrier category
online resource
Carrier category code
  • cr
Content category
text
Content type code
  • txt
Contents
  • Frederick Jackson Turner in The Dream City
  • Henry Adams's Education and The Grammar of Progress
  • Jack London's Career and Popular Discourse
  • Innocence and Revolt in the "Lyric Years": 1900-1916
  • The Armory show of 1913 and the Decline of Innocence
  • The Play of Hope and Despair
  • The Great War and The Fate of Writing
  • Fiction in a Tme of Plenty
  • When the War Was Over: the Return of Detachment
  • The "Jazz Age" and the "Lost Generation" Revisited
  • A Cultural History of the Modern American Novel: Introduction
  • The Perils of Plenty, or How The Twenties Acquired a Paranoid Tilt
  • Disenchantment, Flight, and The Rise of Professionalism in an Age of Plenty
  • Class, Power, and Violence in a New Age
  • The Fear of Feminization and The Logic of Modest Ambition
  • Marginality and Authority
  • Race, Gender, and Region
  • War as Metaphor: The Example of Ernest Hemingway
  • The Fate of Writing During the Great Depression
  • The Discovery of Poverty and the Return of Commitment
  • The Search for "Culture" as a Form of Commitment
  • David Minter
  • Three Responses: The Examples of Henry Miller, Djuna Barnes, and John Dos Passos
  • Residual Individualism and Hedged Commitments
  • The Search for Shared Purpose: Struggles on the Left
  • Documentary Literature and The Disarming of Dissent
  • The Southern Renaissance: Forms of Reaction and Innovation
  • History and Novels
  • Novels and History: The Example of William Faulkner
  • Fictions of the Harlem Renaissance
  • A New Negro?
  • Rafia Zafar
  • A Dream City, Lyric Years, and a Great War
  • Black Manhattan
  • Avatars and Manifestos
  • Harlem as A State of Mind: Hughes, McKay, Toomer
  • A New Negro, A New Woman: Larsen, Fauset, Bonner
  • "Dark -- Skinned Selves Without Fear or Shame: Thurman and Nugent"
  • Genre in The Renaissance: Fisher, Schuyler, Cullen, White, Bontemps
  • Southern Daughter, Native Son: Hurston and Wright
  • Black Modernism
  • Ethnic Modernism
  • Introduction
  • The Novel as Ironic Reflection
  • Werner Sollors
  • Gertrude Stein and "Negro Sunshine"
  • Ethnic Lives and "Lifelets"
  • Ethnic Themes, Modern Themes
  • Mary Antin: Progressive Optimism against The Odds
  • Who is "American"?
  • American Languages
  • All the Past We Leave Behind? Ole E. Rölvaag and the Immigrant Trilogy
  • Modernism, Ethnic Labeling, and The Quest for Wholeness: Jean Toomer's New American Race
  • Freud, Marx, Hard-Boiled
  • Confidence and Uncertainty in The Portrait of A Lady
  • Hemingway Spoken Here
  • Henry Roth: Ethnicity, Modernity, and Modernism
  • The Clock, The Salesman, and the Breast
  • Was Modernism Antitotalitarian?
  • Facing the Extreme
  • Grand Central Terminal
  • Lines of Expansion
  • Four Contemporaries and the Closing of the West
  • Chicago's "Dream City"
Extent
1 online resource (xx, 620 pages)
Form of item
online
Isbn
9781139053594
Media category
computer
Media type code
  • c
Other physical details
digital, PDF file(s).
Specific material designation
remote
System control number
  • (CKB)1000000000419305
  • (SSID)ssj0000399993
  • (PQKBManifestationID)11298988
  • (PQKBTitleCode)TC0000399993
  • (PQKBWorkID)10393782
  • (PQKB)10381809
  • (UkCbUP)CR9781139053594
  • (EXLCZ)991000000000419305

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