The Resource Powers of divergence : an experimental approach to music performance, Lucia D'Errico

Powers of divergence : an experimental approach to music performance, Lucia D'Errico

Label
Powers of divergence : an experimental approach to music performance
Title
Powers of divergence
Title remainder
an experimental approach to music performance
Statement of responsibility
Lucia D'Errico
Creator
Author
Subject
Genre
Language
eng
Summary
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, 'Powers of Divergence' emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics
Member of
Cataloging source
JSTOR
http://library.link/vocab/creatorName
D'Errico, Lucia
Dewey number
780
Index
no index present
LC call number
ML457
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Orpheus Institute series
http://library.link/vocab/subjectName
Music
Label
Powers of divergence : an experimental approach to music performance, Lucia D'Errico
Link
https://www.jstor.org/stable/10.2307/j.ctv4s7jp2
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Machine generated contents note: BOOK I Description the Unspeakable Body -- 1.The Problem of Resemblance -- 2.Beyond Improvisation -- 3.A Series of Anamorphic Glances -- 4.On Methodology -- 5.Phonographic Writing -- 6.The Phantasmic Image of the Musical Work -- 7.The Vectors of the Body -- 8.The Musical Work as a "Manifold" -- 9.A Peripheral Instrument -- 10.Modes of Exposition -- Appendix 1 Techniques of Minoration -- Appendix 2 List of Musical Examples -- Closing Remarks -- References -- Biographical Note -- BOOK II Derivates -- BOOK III Five Glances upon the practice -- Derivative I On Three Different (Musical) Eyes -- Derivative II The Phonocentric Vision of Music -- First Glance -- Derivative III An Eye That Sees Itself -- Derivative IV The Joyous Power of Simulacra -- Derivative V How to Defy Perspective through Perspective -- Derivative VI Automaton -- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini -- Second Glance
  • Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon -- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino -- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene -- Third Glance -- Fourth Glance
Dimensions
unknown
Extent
1 online resource (220 pages)
File format
unknown
Form of item
online
Isbn
9789461662514
Lccn
2018563429
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)1049981842
  • (OCoLC)on1049981842
Label
Powers of divergence : an experimental approach to music performance, Lucia D'Errico
Link
https://www.jstor.org/stable/10.2307/j.ctv4s7jp2
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Machine generated contents note: BOOK I Description the Unspeakable Body -- 1.The Problem of Resemblance -- 2.Beyond Improvisation -- 3.A Series of Anamorphic Glances -- 4.On Methodology -- 5.Phonographic Writing -- 6.The Phantasmic Image of the Musical Work -- 7.The Vectors of the Body -- 8.The Musical Work as a "Manifold" -- 9.A Peripheral Instrument -- 10.Modes of Exposition -- Appendix 1 Techniques of Minoration -- Appendix 2 List of Musical Examples -- Closing Remarks -- References -- Biographical Note -- BOOK II Derivates -- BOOK III Five Glances upon the practice -- Derivative I On Three Different (Musical) Eyes -- Derivative II The Phonocentric Vision of Music -- First Glance -- Derivative III An Eye That Sees Itself -- Derivative IV The Joyous Power of Simulacra -- Derivative V How to Defy Perspective through Perspective -- Derivative VI Automaton -- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini -- Second Glance
  • Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon -- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino -- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene -- Third Glance -- Fourth Glance
Dimensions
unknown
Extent
1 online resource (220 pages)
File format
unknown
Form of item
online
Isbn
9789461662514
Lccn
2018563429
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)1049981842
  • (OCoLC)on1049981842

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