The Resource Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition

Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition

Label
Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition
Title
Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition
Contributor
Subject
Language
eng
PerformerNote
  • Alexander Hickey, tenor; Alexander L’Estrange, countertenor; Antony Pitts, portative organ; Barbara Schlick, soprano; Brian Asawa, countertenor; Charles Medlam, cello; Christoph Prégardien, tenor; Colin Tinley, harpsichord; Danielle Borst, Poppea; David Douglass, vielle; David Munrow, tenor shawm; Dominique Vellard, vocal; Edgar Fleet, tenor; Elaine Comparone, virginal, muselar; Ellen Hargis, soprano; Ellen Hargis, Adonis; Emmanuel Bonnardot, vocal; Francis Brett, bass; Gastone Sarti, Gelone; Geneviève Soly, harpsichord; Guillemette Laurens, Messenger; Guillemette Laurens, Nerone; Gustav Leonhardt, harpsichord; Harald Vogel, organ; Helga Müller-Molinari, Orontea; Helmut Wittek, soprano; Ingrid Seifert, violin; James Bowman, Giulio Cesare; James Taylor, tenor; Jim Denley, bendir; John Pepper, bass; Judith Malafronte, Venus; Julianne Baird, soprano; Kai Wessel, alto; Kathryn Oswald, alto; Lars Mortensen, organ; Leigh Nixon, tenor; Lex Eisenhardt, vihuela; Lorraine Hunt, Dido; Lynne Dawson, Cleopatra; Mara Kiek, vocal; Marcel Beekman, tenor; Margaret Philpot, alto; Mark Padmore, tenor; Mark Rimple, voice, lute; Mary Remnant, harp, bells; Mary Springfels, vielle; Matthew Leese, baritone; Michael Hell, cello; Michael Murray, organ; Nigel North, lute; Nigel Rogers, tenor; Nigel Rogers, Orfeo; Paul Elliott, tenor; Paul Hillier, baritone; Paul O’Dette, lute; Peter Kooy, bass; Rebecca Hickey, soprano; Richard Eteson, tenor; Richard Gwilt, violin; Richard Rephann, harpsichord; Rinaldo Alessandrini, organ; Rogers Covey-Crump, tenor; Roman Summereder, organ; Rufus Müller, tenor; Sarah Connolly, alto; Sibylla Rubens, soprano; Simon Standage, violin; Stefan Gienger, soprano; Stephan MacLeod, bass; Stevie Wishart, medieval fiddle; Trevor Pinnock, harpsichord; Wolfgang Rübsam, organ; Wolodymyr Smishkewych, tenor
  • Philippe Herreweghe, conductor; Joachim Carlos Martini, conductor; Marc Minkowski, conductor; Margriet Tindemans, conductor; Stevie Wishart, conductor; Gerhard Schmidt-Gaden, conductor; Christopher Howard Page, conductor; Michael Jaffee, conductor; Paul McCreesh, conductor; Janka Szendrei, conductor; Nancy Hadden, conductor; Antony Pitts, conductor; David Munrow, conductor; Jean-Claude Malgoire, conductor; Frieder Bernius, conductor; Paul Hillier, conductor; Timothy Roberts, conductor; Henry Ledroit, conductor; William Christie, conductor; Wim van Gerven, conductor; László Dobszay, conductor; Bernhard Klebel, conductor; Dominique Visse, conductor; Andrew Lawrence-King, conductor; Peter Phillips, conductor; Trevor Pinnock, conductor; Charles Medlam, conductor; Anthony Rooley, conductor; Barbara Thornton, conductor; Dominique Vellard, conductor; Paul Elliott, conductor; Jeffrey Skidmore, conductor; Anibal Cetrangolo, conductor; Nicholas McGegan, conductor; Gregorio Paniagua, conductor; David Fallis, conductor; John Beckett, conductor; David Hill, conductor; Alexander Blachly, conductor; René Jacobs, conductor; Gayle Stuwe Neuman, conductor; Nigel Rogers, conductor
  • Musica Reservata; Sex Chorde Viol Consort; Royal Chapel of Paris (La Chapelle Royale); Musica Fiata, Cologne (Koln); Philharmonia Baroque Orchestra; Atrium Musicae de Madrid; Ensemble Musica Antiqua, Vienna (Ensemble Mvsica Antiqva Wien); Circa 1500 Ensemble; Stuttgart Chamber Choir (Kammerchor Stuttgart); Clare College Choir, Cambridge; Frankfurt Baroque Orchestra; Ensemble Gilles Binchois; Studio für Alte Musik, Düsseldorf; Tölzer Boychoir (Tölzer Knabenchor); Junge Kantorei; Sinfonye; Tonus Peregrinus; Martin Best Ensemble; Orlando Consort; Ensemble Project Ars Nova; Chiaroscuro Ensemble; Scholars of London; Ex Cathedra; Consort of Musicke; Pomerium Musices; Concerto Vocale; English Concert; De Organographia; Theatre of Voices; Tallis Scholars; Les Arts Florissants Orchestra; Waverly Consort; Arcadian Academy; Concentus; Schola Hungarica; Toronto Consort; Lionheart; Gothic Voices; Anonymous 4; His Majesty’s Sagbutts and Cornetts (Sackbutts); La Compagnia dei Febi Armonici; London Baroque; Romanesca; Schola Cantorum of Amsterdam; Westminster Cathedral Choir; Ensemble Clément Janequin; Louvre Musicians (Les Musiciens du Louvre); Sequentia; Early Music Consort of London; Vienna Motet Choir (Wiener Motettenchor); Gabrieli Consort; Ricercar Consort; Harp Consort; Collegium Vocale; La Grande Ecurie et la Chambre du Roy
http://library.link/vocab/relatedWorkOrContributorDate
  • 1098-1179
  • fl. 1340-1386
  • c. 1450-1517
  • 1543-1623
  • 1528-1600
  • 1563-1626
  • 1623-1669
  • 1585-1672
  • 1583-1643
  • fl. 1280-1320
  • fl. c. 1190-1200
  • 1400-1460
  • c. 1450-1521
  • c. 340-397
  • 1483-1546
  • 1548-1611
  • 1465-1525
  • 1678-1741
  • c. 485 BCE-c. 406 BCE
  • ?-c. 1050
  • c. 1130-c. 1195
  • 1291-1361
  • c. 1320-c. 1363
  • 1468-1530
  • c. 1490-1562
  • 1494-1552
  • 1665-1743
  • 1644-1728
  • 1653-1713
  • 1496-1570
  • 1557-1612
  • 1659-1695
  • 1685-1759
  • c. 1510-1559
  • 1507-1568
  • c. 1561-1613
  • 1586-1630
  • 1666-1729
  • c. 1170-c. 1230
  • fl. 1150-c. 1201
  • c.1370-1412
  • c. 1325-1397
  • 1397-1474
  • fl. 1526-1549
  • 1551-1618
  • 1561-1633
  • 1619-1677
  • 1605-1674
  • 1594-1663
  • 1683-1764
  • 1685-1750
  • c. 1390-1453
  • c. 1410-1497
  • 1525?-1594
  • 1515-1565
  • 1553-1599
  • 1576-1623
  • 1646-1712
  • 1660-1725
  • c. 1245-1306
  • c. 1300-1377
  • 1532-1594
  • 1557-1602
  • 1567-1643
  • 1637-1707
  • 1668-1733
http://library.link/vocab/relatedWorkOrContributorName
  • von Bingen, Hildegard
  • da Bologna [Bononia, Bononia], Jacopo [Jacobus, Jachobus]
  • Isaac, Henricus [Heinrich]
  • Byrd, William
  • Le Jeune, Claude [Claudin]
  • Dowland, John
  • Cesti, Antonio
  • Schütz, Heinrich [Henrich]
  • Frescobaldi, Girolamo
  • de Dia, Comtessa [Beatriz]
  • Perotin [Perotinus], Magister
  • Binchois, Gilles de Bins
  • des Prez [Pres] [Desprez], Josquin
  • Ambrose, St.
  • Luther, Martin
  • de Victoria, Tomás Luís
  • Cara, Marchetto
  • Vivaldi, Antonio Lucio
  • Euripides
  • of Burgundy [Wipo], Wipo
  • de Ventadorn [del Ventedorn], Bernart
  • de Vitry [Vitriaco, Vittriaco], Philippe
  • da Firenze [Florentia], Gherardello [Ghirardellus]
  • del Encina [Enzina, Fermoselle], Juan
  • de Sermisy [Cermisy, Sermizy, Sermysy, Sernisy, Servyzy], Claudin [Claude]
  • Attaingnant, Pierre
  • Lully, Jean-Baptiste
  • de Torrejón y Velasco, Tomás
  • Corelli, Arcangelo
  • Walter [Walther, I.], Johann [Johannes]
  • Gabrieli, Giovanni
  • Purcell, Henry
  • Handel, George Frideric
  • Bourgeois [Bourgeoys, Bourgoys, Bourjois], Loys [Loïs, Louis]
  • Kethe, William
  • Arcadelt [Archadelt, Arcadet], Jacques
  • Gesualdo, Carlo
  • Grandi, Alessandro
  • Jacquet de la Guerre, Elisabeth-Claude
  • von der Vogelweide, Walther
  • Leoninus [Leonin]
  • Ciconia, Johannes
  • Landini, Francesco
  • Dufay [Du Fay, Du Fayt], Guillaume
  • de Narvàez, Luys [Luis]
  • Caccini, Giulio Romolo
  • Peri, Jacopo
  • Strozzi [Valle], Barbara
  • Carissimi, Giacomo
  • Marini, Biagio
  • Rameau, Jean-Philippe
  • Bach, Johann Sebastian
  • Dunstable [Dunstaple, Donstaple], John
  • de Ockeghem [Okeghem], Jean [Johannes]
  • Palestrina, Giovanni Pierluigi da
  • de Rore [da Rore], Cipriano
  • Marenzio [Maurentio], Luca
  • Weelkes, Thomas
  • Araujo, Juan de
  • Scarlatti, Alessandro
  • de la Halle, Adam
  • de Machaut, Guillaume
  • de Lassus [di Lasso], Orlande [Orlando] Roland
  • Morley, Thomas
  • Monteverdi, Claudio
  • Buxtehude, Dietrich
  • Couperin, François
Series statement
Acquisitions 2005
Transposition and arrangement
not applicable
Label
Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition
Instantiates
Publication
Contents
4:1-3. Flow, my tears (4:12) -- 5:1. Plorate colles [Historia di Jephte] (4:42) -- 2:1-12. Viderunt omnes (10:02) -- 3:1. Inssbruck, ich muss dich lassen (3:04) -- 6:1-4. Trio Sonata, Op. 3, No. 2 (7:19) -- 1:1. Epitaph of Seikilos (0:33) -- 1:2. Orestes: Stasimon Chorus (Chromatic Performance) (1:11) -- 5:2-3. Plorate filii Israel [Historia di Jephte] (4:32) -- 3:2-8. Ave Maria . . . virgo serena (4:42) -- 1:3. Orestes: Stasimon Chorus (Enharmonic Performance) (1:20) -- 1:4-23. Mass for Christmas Day (16:41) -- 4:4-5. Danseries a four parties: No. 1: Basse danse (1:34) -- 5:4-6. O lieber Herre Gott (3:05) -- 4:6. Danseries a four parties: No. 36: Branle gay (1:31) -- 6:6-12. Praeludium in E Major, BuxWV 141 (6:52) -- 4:7. Cancion Mille regres (2:07) -- 5:7-10. Saul, was verfolgst du mich (2:59) -- 4:8. Cuatro diferencias sobre “Guárdame las vacas” (1:17) -- 4:9-14. Pavana Lachrymae (5:21) -- 3:9-11. Messa Pange lingua: Kyrie (2:53) -- 5:11-12. Toccata No. 3 (2:52) -- 3:12. Missa Pange lingua: Credo (excerpt) (2:23) -- 2:13. Ave virgo virginum (1:34) -- 5:13-14. Mass for the Madonna: Ricercare (Fiori musicali) (3:19) -- 6:13-30. Violin Concerto in A Minor, Op. 3, No. 6 [L’estro armonico] (7:17) -- 2:14. Factum est salutare [Motets on tenor Dominus] -- 4:15-22. Canzon septimi toni a 8 (4:09) -- 2:15-16. Fole acostumance [Motets on tenor Dominus] (2:12) -- 3:15. Mille regretz (1:53) -- 5:15-22. Sonata IV per il violino, from Op. 8 (9:23) -- 3:16. Veni redemptor gentium (0:23) -- 2:17. Super te [Motets on tenor Dominus] (1:12) -- 3:17. Nun komm, der Heiden Heiland (1:56) -- 2:18-20. De ma dam vient . . . (3:20) -- 3:18. Ein’ feste Burg (1:41) -- 3:19. Ein’ feste Burg (1:09) -- 3:20. Psalm 134: Or sus, serviteurs du Seigneur (1:03) -- 3:21. Psalm 100: All people that on earth do dwell (1:05) -- 2:21. Sumer is icumen in (1:49) -- 3:22-26. Sing joyfully unto God (2:43) -- 2:22-27. In arboris / Tuba sacre fidei . . . (2:13) -- 4:23-25. Cruda Amarilli (2:40) -- 5:23-25. Armide: Overture (1:28) -- 1:24-27. Tecum principium [Vespers for Christmas Day] (2:34) -- 4:26-27. Vedrò ‘l mio sol (3:59) -- 5:26-30. Enfin il est en ma puissance [Armide] (6:24) -- 3:27-34. Pope Marcellus Mass: Credo (9:53) -- 1:28. Christe Redemptor omnium [Vespers for Christmas Day] (2:52) -- 4:28. Io, che d’alti sospir [Le musiche sopra l’Euridice] (2:38) -- 2:28-34. Messe de Nostre Dame: Kyrie (6:34) -- 1:29. Victimae paschali laudes (1:44) -- 4:29. Nel pur ardo [Le musiche sopra l’Euridice] (1:34) -- 1:30-32. Quem queritis in presepe (3:25) -- 4:30-33. Per quel vago boschetto [Le musiche sopra l’Euridice] (6:37) -- 5:31-38. Suite No. 3 in A Minor (13:02) -- 6:31-32. La visionaire [Vingt-cinguième ordre] (1:54) -- 1:33-35. In principio omnes (3:57) -- 6:33-34. La muse victorieuse [Vingt-cinguième ordre] (1:30) -- 4:34. Vi ricorda o boschi ombrosi [L’Orfeo, Act II] (2:38) -- 3:35. Pope Marcellus Mass: Agnus Dei I (3:56) -- 4:35. Recitative: Mira, deh mira Orfeo [L’Orfeo, Act II] (0:31) -- 2:35-38. Rose, liz, printemps . . . (4:34) -- 6:35-37. Hippolyte et Aricie, Act IV, Conclusion (6:04) -- 3:36-39. O magnum mysterium (3:49) -- 4:36-39. Ahi, caso acerbo [L’Orfeo, Act II] (6:39) -- 1:36. Can vei la lauzeta mover (1:42) -- 1:37. A chantar (5:26) -- 1:38. Robins m’aime (3:07) -- 6:38-48. Prelude and Fugue in A Minor, BWV 543 (10:43) -- 1:39. Palästinalied (4:54) -- 2:39-41. Sus une fontayne (5:24) -- 5:39. Thy hand, Belinda [Dido and Aeneas, conclusion] (0:57) -- 3:40-42. Missa O magnum mysterium: Kyrie (1:51) -- 4:40. Tu se’ morta [L’Orfeo, Act II] (2:43) -- 1:40. Cantiga 159: Non sofre Santa María (2:54) -- 5:40. When I am laid in earth [Dido and Aeneas] (3:03) -- 4:41. Ahi, caso acerbo [L’Orfeo, Act II] (1:14) -- 1:41-47. Le quarte estampie royal [Le manuscrit du roi] (2:24) -- 2:41-43. Fenice fù (2:44) -- 5:41. With drooping wings [Dido and Aeneas] (4:27) -- 4:42-47. L’incoronazione di Poppea, Act I, Scene 3 (8:30) -- 3:43-45. Tristis est anima mea (3:55) -- 5:43-46. La púrpura de la rosa (Excerpt) (4:43) -- 2:44-45. Tosto che l’alba (2:04) -- 3:46. Oy comamos y bebamos (1:43) -- 2:46-48. Non avrà ma’ pietà (4:17) -- 3:47-53. Io non compro più speranza (2:09) -- 5:47-55. Los coflades de la estleya (5:23) -- 4:48. E che si fa? [Orontea, Act II, Scene 16] (0:35) -- 1:48. Tu patris sempiternus [Organa from Musica enchiriadis] (0:07) -- 4:49-50. Intorno all’ idol mio [Orontea, Act II, Scene 17] (3:10) -- 1:49. Sit gloria domini [Organa from Musica enchiriadis] (0:14) -- 2:49-51. Alleluia, A Newë Work (1:59) -- 6:49. Chorale Prelude on Durch Adams Fall, BWV 637 (2:32) -- 1:50. Rex caeli [Organa from Musica enchiriadis] (0:28) -- 6:50-57. Nun komm, der Heiden Heiland [Nun komm, der Heiden Heiland, BWV 62] (4:40) -- 4:51-55. Lagrime mie (10:24) -- 1:51-52. Alleluia Justus ut palma (2:04) -- 2:52-53. Quam pulchra es (2:14) -- 1:53-56. Jubilemus, exultemus (3:18) -- 3:54-55. Il bianco e dolce cigno (2:05) -- 2:54-55. De plus en plus (3:47) -- 3:56-58. Da le belle contrade d’oriente (4:00) -- 4:56. O quam tu pulchra es (3:08) -- 2:56-58. Resvellies vous (2:44) -- 5:56. Vivo penando [Clori vezzosa, e bella, Conclusion] (0:56) -- 1:57-65. Viderunt omnes (8:13) -- 5:57. Sì, sì, ben mio [Clori vezzosa, e bella, Conclusion] (2:52) -- 6:58-59. Bewundert, o Menschen [Nun komm, der Heiden Heiland, BWV 62] (6:50) -- 3:59-64. Solo e pensoso (5:09) -- 2:59-60. Conditor alme siderum (1:12) -- 6:60. So geht aus . . . [Nun komm, der Heiden Heiland, BWV 62] (0:48) -- 2:61-62. Se la face ay pale, ballade [Missa Se le face ay pale] (0:56) -- 6:61-62. Streite, siege . . . ! [Nun komm, der Heiden Heiland, BWV 62] (4:46) -- 2:63. Missa Se le face ay pale: Gloria (7:40) -- 6:63. Wir ehren . . . [Nun komm, der Heiden Heiland, BWV 62] (0:52) -- 6:64. Lob sei Gott . . . [Nun komm, der Heiden Heiland, BWV 62] (0:35) -- 3:65-67. “Io parto” e non più dissi (2:53) -- 6:65-67. Eseguisti [Giulio Cesare, Act II, Scene 1] (3:13) -- 1:66. Viderunt omnes: Dominus, Clausula No. 26 (0:55) -- 1:67. Viderunt omnes: Dominus, Clausula No. 29 (0:33) -- 3:68-70. Tant que vivray (2:18) -- 6:68-69. V’adoro pupille [Giulio Cesare, Act II, Scene 2] (5:08) -- 2:70. Missa De plus en plus: Agnus Dei (6:13) -- 3:71-78. Revecy venir du printans (2:13) -- 6:71. The Time at length is come [Saul, Act II, Scene 10] (0:40) -- 6:72. Where is the Son of Jesse? [Saul, Act II, Scene 10] (1:15) -- 6:73. O fatal Consequence of Rage [Saul, Act II, Scene 10] (4:21) -- 3:79-81. My bonny lass she smileth (2:22) -- 3:82. As Vesta was (3:11)
Form of item
electronic
Publisher number
0-393-10608-X
System control number
(MRC)1292005934342
Label
Norton Recorded Anthology of Western Music, Vol. 1: Ancient to Baroque, 5th Edition
Publication
Contents
4:1-3. Flow, my tears (4:12) -- 5:1. Plorate colles [Historia di Jephte] (4:42) -- 2:1-12. Viderunt omnes (10:02) -- 3:1. Inssbruck, ich muss dich lassen (3:04) -- 6:1-4. Trio Sonata, Op. 3, No. 2 (7:19) -- 1:1. Epitaph of Seikilos (0:33) -- 1:2. Orestes: Stasimon Chorus (Chromatic Performance) (1:11) -- 5:2-3. Plorate filii Israel [Historia di Jephte] (4:32) -- 3:2-8. Ave Maria . . . virgo serena (4:42) -- 1:3. Orestes: Stasimon Chorus (Enharmonic Performance) (1:20) -- 1:4-23. Mass for Christmas Day (16:41) -- 4:4-5. Danseries a four parties: No. 1: Basse danse (1:34) -- 5:4-6. O lieber Herre Gott (3:05) -- 4:6. Danseries a four parties: No. 36: Branle gay (1:31) -- 6:6-12. Praeludium in E Major, BuxWV 141 (6:52) -- 4:7. Cancion Mille regres (2:07) -- 5:7-10. Saul, was verfolgst du mich (2:59) -- 4:8. Cuatro diferencias sobre “Guárdame las vacas” (1:17) -- 4:9-14. Pavana Lachrymae (5:21) -- 3:9-11. Messa Pange lingua: Kyrie (2:53) -- 5:11-12. Toccata No. 3 (2:52) -- 3:12. Missa Pange lingua: Credo (excerpt) (2:23) -- 2:13. Ave virgo virginum (1:34) -- 5:13-14. Mass for the Madonna: Ricercare (Fiori musicali) (3:19) -- 6:13-30. Violin Concerto in A Minor, Op. 3, No. 6 [L’estro armonico] (7:17) -- 2:14. Factum est salutare [Motets on tenor Dominus] -- 4:15-22. Canzon septimi toni a 8 (4:09) -- 2:15-16. Fole acostumance [Motets on tenor Dominus] (2:12) -- 3:15. Mille regretz (1:53) -- 5:15-22. Sonata IV per il violino, from Op. 8 (9:23) -- 3:16. Veni redemptor gentium (0:23) -- 2:17. Super te [Motets on tenor Dominus] (1:12) -- 3:17. Nun komm, der Heiden Heiland (1:56) -- 2:18-20. De ma dam vient . . . (3:20) -- 3:18. Ein’ feste Burg (1:41) -- 3:19. Ein’ feste Burg (1:09) -- 3:20. Psalm 134: Or sus, serviteurs du Seigneur (1:03) -- 3:21. Psalm 100: All people that on earth do dwell (1:05) -- 2:21. Sumer is icumen in (1:49) -- 3:22-26. Sing joyfully unto God (2:43) -- 2:22-27. In arboris / Tuba sacre fidei . . . (2:13) -- 4:23-25. Cruda Amarilli (2:40) -- 5:23-25. Armide: Overture (1:28) -- 1:24-27. Tecum principium [Vespers for Christmas Day] (2:34) -- 4:26-27. Vedrò ‘l mio sol (3:59) -- 5:26-30. Enfin il est en ma puissance [Armide] (6:24) -- 3:27-34. Pope Marcellus Mass: Credo (9:53) -- 1:28. Christe Redemptor omnium [Vespers for Christmas Day] (2:52) -- 4:28. Io, che d’alti sospir [Le musiche sopra l’Euridice] (2:38) -- 2:28-34. Messe de Nostre Dame: Kyrie (6:34) -- 1:29. Victimae paschali laudes (1:44) -- 4:29. Nel pur ardo [Le musiche sopra l’Euridice] (1:34) -- 1:30-32. Quem queritis in presepe (3:25) -- 4:30-33. Per quel vago boschetto [Le musiche sopra l’Euridice] (6:37) -- 5:31-38. Suite No. 3 in A Minor (13:02) -- 6:31-32. La visionaire [Vingt-cinguième ordre] (1:54) -- 1:33-35. In principio omnes (3:57) -- 6:33-34. La muse victorieuse [Vingt-cinguième ordre] (1:30) -- 4:34. Vi ricorda o boschi ombrosi [L’Orfeo, Act II] (2:38) -- 3:35. Pope Marcellus Mass: Agnus Dei I (3:56) -- 4:35. Recitative: Mira, deh mira Orfeo [L’Orfeo, Act II] (0:31) -- 2:35-38. Rose, liz, printemps . . . (4:34) -- 6:35-37. Hippolyte et Aricie, Act IV, Conclusion (6:04) -- 3:36-39. O magnum mysterium (3:49) -- 4:36-39. Ahi, caso acerbo [L’Orfeo, Act II] (6:39) -- 1:36. Can vei la lauzeta mover (1:42) -- 1:37. A chantar (5:26) -- 1:38. Robins m’aime (3:07) -- 6:38-48. Prelude and Fugue in A Minor, BWV 543 (10:43) -- 1:39. Palästinalied (4:54) -- 2:39-41. Sus une fontayne (5:24) -- 5:39. Thy hand, Belinda [Dido and Aeneas, conclusion] (0:57) -- 3:40-42. Missa O magnum mysterium: Kyrie (1:51) -- 4:40. Tu se’ morta [L’Orfeo, Act II] (2:43) -- 1:40. Cantiga 159: Non sofre Santa María (2:54) -- 5:40. When I am laid in earth [Dido and Aeneas] (3:03) -- 4:41. Ahi, caso acerbo [L’Orfeo, Act II] (1:14) -- 1:41-47. Le quarte estampie royal [Le manuscrit du roi] (2:24) -- 2:41-43. Fenice fù (2:44) -- 5:41. With drooping wings [Dido and Aeneas] (4:27) -- 4:42-47. L’incoronazione di Poppea, Act I, Scene 3 (8:30) -- 3:43-45. Tristis est anima mea (3:55) -- 5:43-46. La púrpura de la rosa (Excerpt) (4:43) -- 2:44-45. Tosto che l’alba (2:04) -- 3:46. Oy comamos y bebamos (1:43) -- 2:46-48. Non avrà ma’ pietà (4:17) -- 3:47-53. Io non compro più speranza (2:09) -- 5:47-55. Los coflades de la estleya (5:23) -- 4:48. E che si fa? [Orontea, Act II, Scene 16] (0:35) -- 1:48. Tu patris sempiternus [Organa from Musica enchiriadis] (0:07) -- 4:49-50. Intorno all’ idol mio [Orontea, Act II, Scene 17] (3:10) -- 1:49. Sit gloria domini [Organa from Musica enchiriadis] (0:14) -- 2:49-51. Alleluia, A Newë Work (1:59) -- 6:49. Chorale Prelude on Durch Adams Fall, BWV 637 (2:32) -- 1:50. Rex caeli [Organa from Musica enchiriadis] (0:28) -- 6:50-57. Nun komm, der Heiden Heiland [Nun komm, der Heiden Heiland, BWV 62] (4:40) -- 4:51-55. Lagrime mie (10:24) -- 1:51-52. Alleluia Justus ut palma (2:04) -- 2:52-53. Quam pulchra es (2:14) -- 1:53-56. Jubilemus, exultemus (3:18) -- 3:54-55. Il bianco e dolce cigno (2:05) -- 2:54-55. De plus en plus (3:47) -- 3:56-58. Da le belle contrade d’oriente (4:00) -- 4:56. O quam tu pulchra es (3:08) -- 2:56-58. Resvellies vous (2:44) -- 5:56. Vivo penando [Clori vezzosa, e bella, Conclusion] (0:56) -- 1:57-65. Viderunt omnes (8:13) -- 5:57. Sì, sì, ben mio [Clori vezzosa, e bella, Conclusion] (2:52) -- 6:58-59. Bewundert, o Menschen [Nun komm, der Heiden Heiland, BWV 62] (6:50) -- 3:59-64. Solo e pensoso (5:09) -- 2:59-60. Conditor alme siderum (1:12) -- 6:60. So geht aus . . . [Nun komm, der Heiden Heiland, BWV 62] (0:48) -- 2:61-62. Se la face ay pale, ballade [Missa Se le face ay pale] (0:56) -- 6:61-62. Streite, siege . . . ! [Nun komm, der Heiden Heiland, BWV 62] (4:46) -- 2:63. Missa Se le face ay pale: Gloria (7:40) -- 6:63. Wir ehren . . . [Nun komm, der Heiden Heiland, BWV 62] (0:52) -- 6:64. Lob sei Gott . . . [Nun komm, der Heiden Heiland, BWV 62] (0:35) -- 3:65-67. “Io parto” e non più dissi (2:53) -- 6:65-67. Eseguisti [Giulio Cesare, Act II, Scene 1] (3:13) -- 1:66. Viderunt omnes: Dominus, Clausula No. 26 (0:55) -- 1:67. Viderunt omnes: Dominus, Clausula No. 29 (0:33) -- 3:68-70. Tant que vivray (2:18) -- 6:68-69. V’adoro pupille [Giulio Cesare, Act II, Scene 2] (5:08) -- 2:70. Missa De plus en plus: Agnus Dei (6:13) -- 3:71-78. Revecy venir du printans (2:13) -- 6:71. The Time at length is come [Saul, Act II, Scene 10] (0:40) -- 6:72. Where is the Son of Jesse? [Saul, Act II, Scene 10] (1:15) -- 6:73. O fatal Consequence of Rage [Saul, Act II, Scene 10] (4:21) -- 3:79-81. My bonny lass she smileth (2:22) -- 3:82. As Vesta was (3:11)
Form of item
electronic
Publisher number
0-393-10608-X
System control number
(MRC)1292005934342

Subject

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