The Resource Late eighteenth-century music and visual culture, edited by Cliff Eisen & Alan Davison

Late eighteenth-century music and visual culture, edited by Cliff Eisen & Alan Davison

Label
Late eighteenth-century music and visual culture
Title
Late eighteenth-century music and visual culture
Statement of responsibility
edited by Cliff Eisen & Alan Davison
Title variation
Late 18th-century music and visual culture
Contributor
Editor
Subject
Language
eng
Summary
"The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined"--Publisher description
Member of
Cataloging source
ERASA
Illustrations
illustrations
Index
index present
LC call number
ML240.3
LC item number
.L38 2017
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1952-
http://library.link/vocab/relatedWorkOrContributorName
  • Eisen, Cliff
  • Davison, Alan
Series statement
Music and visual cultures
Series volume
volume 1
http://library.link/vocab/subjectName
  • Music
  • Music
  • Music
  • Art and music
  • Music in art
Label
Late eighteenth-century music and visual culture, edited by Cliff Eisen & Alan Davison
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Gothic musical scenes and the image of performance
  • Annette Richards
  • The visual traces of a discourse of ineffability: late eighteenth-century German published writings on music
  • Keith Chapin
  • Marketing ploys, monuments and music paratexts: reading the title pages of early Mozart editions
  • Nancy November
  • Musical allegories in the printed edition of the Máscara Real: new iconographic models in Catalonian engravings of the second half of the eighteenth century
  • Vanessa Esteve Marull
  • Authenticity and likeness in Mozart portraiture
  • Cliff Eisen
  • Introduction
  • Imaging Beethoven
  • Simon Shaw-Miller
  • Cliff Eisen and Alan Davison
  • Charles Burney's Wunderkammer of ancient instruments in his General History of Music
  • Zdravko Blažeković
  • John Brown's Dissertation (1763) on poetry and music: an eighteenth-century view on music's role in the rise and fall of civilization
  • Alan Davison
  • Developing an eye for harmony: Rubens in Mozart's education
  • Thomas Tolley
Dimensions
28 cm
Extent
v, 231 pages
Isbn
9782503546292
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Thomas and Catherine Luccock Collection.
Other physical details
illustrations
System control number
  • (OCoLC)975016496
  • (OCoLC)ocn975016496
Label
Late eighteenth-century music and visual culture, edited by Cliff Eisen & Alan Davison
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Gothic musical scenes and the image of performance
  • Annette Richards
  • The visual traces of a discourse of ineffability: late eighteenth-century German published writings on music
  • Keith Chapin
  • Marketing ploys, monuments and music paratexts: reading the title pages of early Mozart editions
  • Nancy November
  • Musical allegories in the printed edition of the Máscara Real: new iconographic models in Catalonian engravings of the second half of the eighteenth century
  • Vanessa Esteve Marull
  • Authenticity and likeness in Mozart portraiture
  • Cliff Eisen
  • Introduction
  • Imaging Beethoven
  • Simon Shaw-Miller
  • Cliff Eisen and Alan Davison
  • Charles Burney's Wunderkammer of ancient instruments in his General History of Music
  • Zdravko Blažeković
  • John Brown's Dissertation (1763) on poetry and music: an eighteenth-century view on music's role in the rise and fall of civilization
  • Alan Davison
  • Developing an eye for harmony: Rubens in Mozart's education
  • Thomas Tolley
Dimensions
28 cm
Extent
v, 231 pages
Isbn
9782503546292
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Thomas and Catherine Luccock Collection.
Other physical details
illustrations
System control number
  • (OCoLC)975016496
  • (OCoLC)ocn975016496

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