Coverart for item
The Resource From sounds to music and emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers, Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)

From sounds to music and emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers, Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)

Label
From sounds to music and emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers
Title
From sounds to music and emotions
Title remainder
9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers
Statement of responsibility
Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)
Title variation
CMMR 2012
Creator
Contributor
Editor
Subject
Genre
Language
eng
Summary
This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012
Member of
Cataloging source
GW5XE
Dewey number
781.8/0285
Illustrations
illustrations
Index
index present
LC call number
ML74
LC item number
.C66 2012
Literary form
non fiction
http://bibfra.me/vocab/lite/meetingDate
2012
http://bibfra.me/vocab/lite/meetingName
CMMR (Symposium)
Nature of contents
dictionaries
NLM call number
ML 74
http://library.link/vocab/relatedWorkOrContributorName
Aramaki, Mitsuko
Series statement
  • Lecture Notes in Computer Science,
  • LNCS sublibrary. SL 3, Information systems and application, incl. Internet/Web and HCI
Series volume
7900
http://library.link/vocab/subjectName
  • Musical analysis
  • Information storage and retrieval systems
  • Computer music
  • Speech processing systems
  • Electronic Data Processing
  • Information Storage and Retrieval
  • Music
  • Natural Language Processing
  • Computer Science
  • Information Storage and Retrieval
  • Multimedia Information Systems
  • Computer Appl. in Arts and Humanities
  • Special Purpose and Application-Based Systems
  • Computer music
  • Information storage and retrieval systems
  • Musical analysis
  • Speech processing systems
Label
From sounds to music and emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers, Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)
Link
http://dx.doi.org/10.1007/978-3-642-41248-6
Instantiates
Publication
Note
Includes author index
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • I.
  • Music Emotion Analysis.
  • The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
  • Emery Schubert [and others]
  • Emotion in Motion: A Study of Music and Affective Response
  • Javier Jaimovich, Niall Coghlan and R. Benjamin Knapp
  • Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
  • Konstantinos Trochidis [and others]
  • EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
  • Gilberto Bernardes, Carlos Guedes and Bruce Pennycook
  • Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
  • Etienne Thoret [and others]
  • II.
  • 3D Audio and Sound Synthesis.
  • Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
  • Martin J. Morrell and Joshua D. Reiss
  • Perceptual Characteristic and Compression Research in 3D Audio Technology
  • Ruimin Hu [and others]
  • Intuitive Control of Rolling Sound Synthesis
  • Simon Conan [and others]
  • Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
  • Jason Jiří Musil, Budr Elnusairi and Daniel Müllensiefen
  • III.
  • Computer Models of Music Perception and Cognition
  • Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models
  • Clara Suied [and others]
  • The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
  • Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering
  • The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition
  • Thomas C. Walters, David A. Ross and Richard F. Lyon
  • IV.
  • Music Emotion Recognition.
  • Music Emotion Recognition: From Content- to Context-Based Models
  • Mathieu Barthet, György Fazekas and Mark Sandler
  • Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
  • Jens Madsen, Bjørn Sand Jensen and Jan Larsen
  • Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition
  • Erik M. Schmidt [and others]
  • Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
  • Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley
  • V.
  • Music Information Retrieval.
  • Sample Identification in Hip Hop Music
  • Jan Van Balen, Joan Serrà and Martín Haro
  • Music Similarity Evaluation Using the Variogram for MFCC Modelling
  • Lorenzo J. Tardón and Isabel Barbancho
  • Automatic String Detection for Bass Guitar and Electric Guitar
  • Jakob Abeßer
  • VI.
  • Film Soundtrack and Music Recommendation.
  • The Influence of Music on the Emotional Interpretation of Visual Contexts
  • Fernando Bravo
  • The Perception of Auditory-Visual Looming in Film
  • Sonia Wilkie and Tony Stockman
  • Market-Based Control in Interactive Music Environments
  • Arjun Chandra [and others]
  • VII.
  • Computational Musicology and Music Education.
  • Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series
  • Dan Stowell and Elaine Chew
  • Structural Similarity Based on Time-Span Tree
  • Satoshi Tojo and Keiji Hirata
  • Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues
  • Mathieu Giraud, Richard Groult, Florence Levé
  • Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control
  • Alexis Kirke, Eduardo R. Miranda and Slawomir J. Nasuto
  • VIII.
  • Cross-Disciplinary Perspectives on Expressive Performance Workshop.
  • (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour
  • Regiane Yamaguchi and Fernando Gualda
  • Multimodal Analysis of Piano Performances Portraying Different Emotions
  • Kristoffer Jensen and Søren R. Frimodt-Møller
  • Focal Impulses and Expressive Performance
  • John Paul Ito
Dimensions
unknown
Extent
1 online resource (xiv, 502 pages)
File format
unknown
Form of item
online
Isbn
9783642412486
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1007/978-3-642-41248-6
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)859318670
  • (OCoLC)ocn859318670
Label
From sounds to music and emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers, Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)
Link
http://dx.doi.org/10.1007/978-3-642-41248-6
Publication
Note
Includes author index
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • I.
  • Music Emotion Analysis.
  • The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
  • Emery Schubert [and others]
  • Emotion in Motion: A Study of Music and Affective Response
  • Javier Jaimovich, Niall Coghlan and R. Benjamin Knapp
  • Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
  • Konstantinos Trochidis [and others]
  • EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
  • Gilberto Bernardes, Carlos Guedes and Bruce Pennycook
  • Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
  • Etienne Thoret [and others]
  • II.
  • 3D Audio and Sound Synthesis.
  • Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
  • Martin J. Morrell and Joshua D. Reiss
  • Perceptual Characteristic and Compression Research in 3D Audio Technology
  • Ruimin Hu [and others]
  • Intuitive Control of Rolling Sound Synthesis
  • Simon Conan [and others]
  • Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
  • Jason Jiří Musil, Budr Elnusairi and Daniel Müllensiefen
  • III.
  • Computer Models of Music Perception and Cognition
  • Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models
  • Clara Suied [and others]
  • The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
  • Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering
  • The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition
  • Thomas C. Walters, David A. Ross and Richard F. Lyon
  • IV.
  • Music Emotion Recognition.
  • Music Emotion Recognition: From Content- to Context-Based Models
  • Mathieu Barthet, György Fazekas and Mark Sandler
  • Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
  • Jens Madsen, Bjørn Sand Jensen and Jan Larsen
  • Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition
  • Erik M. Schmidt [and others]
  • Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
  • Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley
  • V.
  • Music Information Retrieval.
  • Sample Identification in Hip Hop Music
  • Jan Van Balen, Joan Serrà and Martín Haro
  • Music Similarity Evaluation Using the Variogram for MFCC Modelling
  • Lorenzo J. Tardón and Isabel Barbancho
  • Automatic String Detection for Bass Guitar and Electric Guitar
  • Jakob Abeßer
  • VI.
  • Film Soundtrack and Music Recommendation.
  • The Influence of Music on the Emotional Interpretation of Visual Contexts
  • Fernando Bravo
  • The Perception of Auditory-Visual Looming in Film
  • Sonia Wilkie and Tony Stockman
  • Market-Based Control in Interactive Music Environments
  • Arjun Chandra [and others]
  • VII.
  • Computational Musicology and Music Education.
  • Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series
  • Dan Stowell and Elaine Chew
  • Structural Similarity Based on Time-Span Tree
  • Satoshi Tojo and Keiji Hirata
  • Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues
  • Mathieu Giraud, Richard Groult, Florence Levé
  • Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control
  • Alexis Kirke, Eduardo R. Miranda and Slawomir J. Nasuto
  • VIII.
  • Cross-Disciplinary Perspectives on Expressive Performance Workshop.
  • (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour
  • Regiane Yamaguchi and Fernando Gualda
  • Multimodal Analysis of Piano Performances Portraying Different Emotions
  • Kristoffer Jensen and Søren R. Frimodt-Møller
  • Focal Impulses and Expressive Performance
  • John Paul Ito
Dimensions
unknown
Extent
1 online resource (xiv, 502 pages)
File format
unknown
Form of item
online
Isbn
9783642412486
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1007/978-3-642-41248-6
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)859318670
  • (OCoLC)ocn859318670

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