The Resource Experiencing liveness in contemporary performance : interdisciplinary perspectives, edited by Matthew Reason and Anja Mølle Lindelof

Experiencing liveness in contemporary performance : interdisciplinary perspectives, edited by Matthew Reason and Anja Mølle Lindelof

Label
Experiencing liveness in contemporary performance : interdisciplinary perspectives
Title
Experiencing liveness in contemporary performance
Title remainder
interdisciplinary perspectives
Statement of responsibility
edited by Matthew Reason and Anja Mølle Lindelof
Contributor
Editor
Subject
Language
eng
Summary
Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making
Member of
Cataloging source
DLC
Dewey number
792.01
Index
index present
LC call number
PN 1590 .S6 E96 2016
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1975-
  • 1974-
http://library.link/vocab/relatedWorkOrContributorName
  • Reason, Matthew
  • Lindelof, Anja Mølle
Series statement
Routledge advances in theatre and performance studies
Series volume
47
http://library.link/vocab/subjectName
  • Performing arts
  • Performing arts
  • Performing arts
  • Music
  • Music
  • Performing arts
  • Performing arts
  • Performing arts
Label
Experiencing liveness in contemporary performance : interdisciplinary perspectives, edited by Matthew Reason and Anja Mølle Lindelof
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on "liveness" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett -- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- The meaning of lived experience / Paddy Scannell -- Affect and experience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / Alexis Soloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence, kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary Worre Halberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisation of music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte
Dimensions
24 cm.
Extent
xvi, 304 pages
Isbn
9781138961593
Lccn
2016010447
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • (OCoLC)943700384
  • (OCoLC)ocn943700384
Label
Experiencing liveness in contemporary performance : interdisciplinary perspectives, edited by Matthew Reason and Anja Mølle Lindelof
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on "liveness" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett -- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- The meaning of lived experience / Paddy Scannell -- Affect and experience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / Alexis Soloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence, kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary Worre Halberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisation of music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte
Dimensions
24 cm.
Extent
xvi, 304 pages
Isbn
9781138961593
Lccn
2016010447
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • (OCoLC)943700384
  • (OCoLC)ocn943700384

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