The Resource Copyright and the Value of Performance, 1770–1911

Copyright and the Value of Performance, 1770–1911

Label
Copyright and the Value of Performance, 1770–1911
Title
Copyright and the Value of Performance, 1770–1911
Creator
Subject
Genre
Language
eng
Summary
Explores the development of nineteenth-century performance copyright laws which shape how we define and value drama and music
Member of
Cataloging source
MiAaPQ
http://library.link/vocab/creatorName
Miller, Derek
Dewey number
346.4104/82
LC call number
K1443.D7 .M555 2018
Literary form
non fiction
Nature of contents
dictionaries
Series statement
Theatre and Performance Theory
http://library.link/vocab/subjectName
  • Copyright-Drama-Great Britain-History
  • Copyright-Drama-United States-History
  • Performing arts-Economic aspects-Great Britain-History
  • Performing arts-Economic aspects-United States-History
Label
Copyright and the Value of Performance, 1770–1911
Link
https://ebookcentral.proquest.com/lib/oulaw/detail.action?docID=5500389
Instantiates
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover -- Half Title -- Series page -- Title page -- Imprints page -- Contents -- Acknowledgments -- Introduction: Copyright, Commodification, and Performance -- Economic and Other Values -- Copyright History: From Laboring Authors to Valuable Commodities -- Performance Theories, Material and Immaterial -- Reading Copyright Lawsuits for the Discourse of Value -- 1 Performance's Valuable Propriety, 1770-1833 -- Patents and Propriety -- Charles Macklin's Propriety -- Extralegal Control -- Macklin v. Richardson -- Macklin's Love à la Mode -- Robert Elliston's Patent -- Marino Faliero -- The Theatre Royal -- Performance Rights, National Glory, and the Printed Play -- 2 Ontologies of the Performance-Commodity, 1833-1886 -- Property, Aesthetics, and Economics -- Drama as Embodied Action -- Russell v. Smith: Character in Action -- Daly v. Palmer: Woman v. Machine -- Music as Melody -- D'Almaine v. Boosey: Melodic Formalism -- Wood v. Boosey: Music beyond Melody -- Music Drama -- Thomas v. Lennon: Valuable Orchestration -- Carte v. Ford: Subordinate Orchestration -- Carte v. Duff: Music or Drama? -- Gilbert and Sullivan's Litigation: An Aesthetic Interpretation -- 3 Audiences, Actors, and Value, 1852-1911 -- Affect -- Bloom & Hamlin v. Nixon: Singer or Song? -- Martinetti v. Maguire: Against the Commodified Body -- Barnes v. Miner: Demand and Desire -- Actors and Gags -- Adaptation -- Novel to Play -- Across the Channel -- The All-Mighty Audience? -- For Love or Money -- Memory -- Economic Value Alone -- 4 The Performance-Commodity at Work, 1833-1911 -- The Music Market -- Sheet Music and Performance's Value -- The Political Economy of Music in the Age of Its Mechanical Reproducibility -- The Theater Industry -- Earning Money from the Dramatic Performance-Commodity -- Manuscript and Printed Plays -- Creating Value around the Dramatic Performance-Commodity
  • The Copyright Performance -- Rationale and Invention -- Explaining Copyright Performances -- Evaluating Copyright Performances -- Manufacturing Value -- Epilogue: Valuing Performance Today -- The Trials of Jesus Christ Superstar -- Appendix: Timeline of Major Legislation and Litigation Affecting Performance Rights -- Works Cited -- Index
Dimensions
unknown
Extent
1 online resource (293 pages)
Form of item
online
Isbn
9781108681032
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC5500389
  • (Au-PeEL)EBL5500389
  • (OCoLC)1050360610
Label
Copyright and the Value of Performance, 1770–1911
Link
https://ebookcentral.proquest.com/lib/oulaw/detail.action?docID=5500389
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover -- Half Title -- Series page -- Title page -- Imprints page -- Contents -- Acknowledgments -- Introduction: Copyright, Commodification, and Performance -- Economic and Other Values -- Copyright History: From Laboring Authors to Valuable Commodities -- Performance Theories, Material and Immaterial -- Reading Copyright Lawsuits for the Discourse of Value -- 1 Performance's Valuable Propriety, 1770-1833 -- Patents and Propriety -- Charles Macklin's Propriety -- Extralegal Control -- Macklin v. Richardson -- Macklin's Love à la Mode -- Robert Elliston's Patent -- Marino Faliero -- The Theatre Royal -- Performance Rights, National Glory, and the Printed Play -- 2 Ontologies of the Performance-Commodity, 1833-1886 -- Property, Aesthetics, and Economics -- Drama as Embodied Action -- Russell v. Smith: Character in Action -- Daly v. Palmer: Woman v. Machine -- Music as Melody -- D'Almaine v. Boosey: Melodic Formalism -- Wood v. Boosey: Music beyond Melody -- Music Drama -- Thomas v. Lennon: Valuable Orchestration -- Carte v. Ford: Subordinate Orchestration -- Carte v. Duff: Music or Drama? -- Gilbert and Sullivan's Litigation: An Aesthetic Interpretation -- 3 Audiences, Actors, and Value, 1852-1911 -- Affect -- Bloom & Hamlin v. Nixon: Singer or Song? -- Martinetti v. Maguire: Against the Commodified Body -- Barnes v. Miner: Demand and Desire -- Actors and Gags -- Adaptation -- Novel to Play -- Across the Channel -- The All-Mighty Audience? -- For Love or Money -- Memory -- Economic Value Alone -- 4 The Performance-Commodity at Work, 1833-1911 -- The Music Market -- Sheet Music and Performance's Value -- The Political Economy of Music in the Age of Its Mechanical Reproducibility -- The Theater Industry -- Earning Money from the Dramatic Performance-Commodity -- Manuscript and Printed Plays -- Creating Value around the Dramatic Performance-Commodity
  • The Copyright Performance -- Rationale and Invention -- Explaining Copyright Performances -- Evaluating Copyright Performances -- Manufacturing Value -- Epilogue: Valuing Performance Today -- The Trials of Jesus Christ Superstar -- Appendix: Timeline of Major Legislation and Litigation Affecting Performance Rights -- Works Cited -- Index
Dimensions
unknown
Extent
1 online resource (293 pages)
Form of item
online
Isbn
9781108681032
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC5500389
  • (Au-PeEL)EBL5500389
  • (OCoLC)1050360610

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