The Resource Complete works, Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean

Complete works, Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean

Label
Complete works
Title
Complete works
Statement of responsibility
Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean
Creator
Contributor
Composer
Editor
Subject
Language
  • ita
  • lat
  • ita
  • lat
  • eng
  • lat
Member of
Accompanying matter
  • bibliography
  • libretto or text
  • biography of composer or author
  • technical information on music
  • historical information
Cataloging source
NTE
http://library.link/vocab/creatorName
Pesenti, Michele
http://bibfra.me/vocab/marc/featuredMedium
soprano voice
Form of composition
multiple forms
Format of music
score
Language note
Italian and Latin words, also printed as texts with English translations
LC call number
M2
LC item number
.R2384 v.171
Literary text for sound recordings
not applicable
Music parts
instrumental and vocal parts
http://bibfra.me/vocab/marc/notation
  • Staff notation;
  • Tablature
http://bibfra.me/vocab/marc/numberOfPerformers
  • 2
  • 4
  • 2
http://bibfra.me/vocab/marc/performanceMedium
  • instrumental ensemble
  • soprano voice
  • instrument
  • soprano voice
  • alto voice
  • tenor voice
  • bass voice
  • soprano voice
  • lute
http://library.link/vocab/relatedWorkOrContributorName
  • Cummings, Anthony M.
  • Carroll, Linda L.
  • Dean, Alexander
Series statement
Recent researches in the music of the Renaissance,
Series volume
171
http://library.link/vocab/subjectName
  • Frottolas (Music)
  • Villotte
  • Part songs, Italian
  • Vocal quartets, Unaccompanied
  • Songs (High voice)
  • Songs (High voice) with instrumental ensemble
  • Songs (High voice) with lute
  • Sacred vocal quartets, Unaccompanied
Label
Complete works, Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean
Instantiates
Publication
Copyright
Note
  • Includes introduction and critical report
  • The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB)
  • The sacred works are for four voices (SATB)
  • Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
notated music
Content type code
ntm
Content type MARC source
rdacontent
Contents
  • Fuggir voglio el tuo bel volto (frottola-proper)
  • Inhospitas per alpes (Latin ode).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Integer vitae (Latin ode).
  • Version A, four-voice setting ; Version B, lute intabulation
  • L'aqua vale al mio gran foco (frottola-proper)
  • Non mi doglio già d'amore (frottola-proper)
  • O Dio, che la brunetta mia (villotta [villottistic composition])
  • Passando per una rezolla (frottola with enjambment)
  • Poi che 'l ciel e la fortuna (frottola-proper).
  • Secular works.
  • Version A, four-voice setting ; Version B, lute intabulation
  • Questa è mia, l'ho fatta mi (barzelletta--
  • Se in tutto hai destinato (oda [frottola baratelliana])
  • S'io son stato a ritornare (frottola-proper).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Sempre l'è come esser sole (frottola-proper)
  • Sì me piace el dolce foco (barzelletta)
  • Trista e noiosa sorte (oda [frottola baratelliana])
  • Tu te lamenti a torto (oda [frottola baratelliana])
  • Una legiadra donna (oda [frottola baratelliana])
  • A Dio, signora, adio (oda [frottola baratelliana])
  • Vieni ormai, non più tardare (frottola-proper)
  • Ahimè lasso, ahimè dolente (barzelletta).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Amor, poi che non poi (strambotto)
  • O bon, egli è bon (barzelletta [altered]).
  • Version A, four-voice setting ; Version B, lute intabulation
  • 27. Sia felice la tua vita (oda [frottola baratelliana])
  • Deh, chi me sa dir novella (barzelletta [altered]).
  • Version A, four-voice setting ; Version B, lute intabulationtQuesta è mia, l'ho fatta mi (barzelletta--
  • Io son l'ocel che con le debil ali (strambotto distich)
  • Ahimè, ch'io moro (oda [frottola baratelliana]).
  • Non è pensier che 'l mio secreto intenda (canzone).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Spenta m'hai del pecto amore (frottola-proper).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Io voria esser colù (barzelletta with popular refrain)
  • Che faràla, che diràla (barzelletta).
  • Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation
  • Quando lo pomo vien (villotta [villottistic composition]).
  • Version A, frottolistic setting ; Version B, villottistic setting
  • So ben che lei non sa (villotta [villottistic composition]).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Version A, frottolistic setting ; Version B, villottistic setting
  • Alma gentil (canzone)
  • Ardo e bruscio (frottola-proper)
  • Ben mille volte (capitolo)
  • Dal lecto me levava (frottola-caccia)
  • Dime un poco che vol dire (barzelletta)
  • Sacred works.
  • Bonum est sperare
  • Manus Domini
  • Tulerunt Dominum meum
Dimensions
28 cm.
Extent
1 score (liii, 218 pages) + 5 parts
Isbn
9781987201390
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
  • (OCoLC)1098125892
  • (OCoLC)on1098125892
Label
Complete works, Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean
Publication
Copyright
Note
  • Includes introduction and critical report
  • The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB)
  • The sacred works are for four voices (SATB)
  • Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
notated music
Content type code
ntm
Content type MARC source
rdacontent
Contents
  • Fuggir voglio el tuo bel volto (frottola-proper)
  • Inhospitas per alpes (Latin ode).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Integer vitae (Latin ode).
  • Version A, four-voice setting ; Version B, lute intabulation
  • L'aqua vale al mio gran foco (frottola-proper)
  • Non mi doglio già d'amore (frottola-proper)
  • O Dio, che la brunetta mia (villotta [villottistic composition])
  • Passando per una rezolla (frottola with enjambment)
  • Poi che 'l ciel e la fortuna (frottola-proper).
  • Secular works.
  • Version A, four-voice setting ; Version B, lute intabulation
  • Questa è mia, l'ho fatta mi (barzelletta--
  • Se in tutto hai destinato (oda [frottola baratelliana])
  • S'io son stato a ritornare (frottola-proper).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Sempre l'è come esser sole (frottola-proper)
  • Sì me piace el dolce foco (barzelletta)
  • Trista e noiosa sorte (oda [frottola baratelliana])
  • Tu te lamenti a torto (oda [frottola baratelliana])
  • Una legiadra donna (oda [frottola baratelliana])
  • A Dio, signora, adio (oda [frottola baratelliana])
  • Vieni ormai, non più tardare (frottola-proper)
  • Ahimè lasso, ahimè dolente (barzelletta).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Amor, poi che non poi (strambotto)
  • O bon, egli è bon (barzelletta [altered]).
  • Version A, four-voice setting ; Version B, lute intabulation
  • 27. Sia felice la tua vita (oda [frottola baratelliana])
  • Deh, chi me sa dir novella (barzelletta [altered]).
  • Version A, four-voice setting ; Version B, lute intabulationtQuesta è mia, l'ho fatta mi (barzelletta--
  • Io son l'ocel che con le debil ali (strambotto distich)
  • Ahimè, ch'io moro (oda [frottola baratelliana]).
  • Non è pensier che 'l mio secreto intenda (canzone).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Spenta m'hai del pecto amore (frottola-proper).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Io voria esser colù (barzelletta with popular refrain)
  • Che faràla, che diràla (barzelletta).
  • Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation
  • Quando lo pomo vien (villotta [villottistic composition]).
  • Version A, frottolistic setting ; Version B, villottistic setting
  • So ben che lei non sa (villotta [villottistic composition]).
  • Version A, four-voice setting ; Version B, lute intabulation
  • Version A, frottolistic setting ; Version B, villottistic setting
  • Alma gentil (canzone)
  • Ardo e bruscio (frottola-proper)
  • Ben mille volte (capitolo)
  • Dal lecto me levava (frottola-caccia)
  • Dime un poco che vol dire (barzelletta)
  • Sacred works.
  • Bonum est sperare
  • Manus Domini
  • Tulerunt Dominum meum
Dimensions
28 cm.
Extent
1 score (liii, 218 pages) + 5 parts
Isbn
9781987201390
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
  • (OCoLC)1098125892
  • (OCoLC)on1098125892

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