The Resource Art and Archaeology : Collaborations, Conversations, Criticisms, edited by Ian Alden Russell, Andrew Cochrane, (electronic resource)

Art and Archaeology : Collaborations, Conversations, Criticisms, edited by Ian Alden Russell, Andrew Cochrane, (electronic resource)

Label
Art and Archaeology : Collaborations, Conversations, Criticisms
Title
Art and Archaeology
Title remainder
Collaborations, Conversations, Criticisms
Statement of responsibility
edited by Ian Alden Russell, Andrew Cochrane
Contributor
Editor
Editor
Subject
Language
  • eng
  • eng
Summary
This volume presents a collection of collaborations and conversations between archaeological, contemporary art, and heritage practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theories to the practice of archaeology. Art and Archaeology: Collaborations, Conversations, Criticisms encourages the creative interplay of various approaches to ‘art’ and ‘archaeology’ as contributions to how we interpret and understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside treatments of modern and contemporary drawing, installation art, performance art, photography, sculpture, and video art. Here, the parallel roles of artists as makers of worlds and archaeologists as makers of pasts are brought together in an appreciation of human creativity
Member of
Dewey number
  • 306.47
  • 701/.03
http://bibfra.me/vocab/relation/httpidlocgovvocabularyrelatorsedt
  • u9ZuKGYixbw
  • zv8XvUt-yLE
Language note
English
LC call number
HM545
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Russell, Ian Alden.
  • Cochrane, Andrew.
Series statement
  • One world archaeology
  • One World Archaeology,
Series volume
11
http://library.link/vocab/subjectName
  • Anthropology
  • Arts
  • Anthropology
  • Arts
Label
Art and Archaeology : Collaborations, Conversations, Criticisms, edited by Ian Alden Russell, Andrew Cochrane, (electronic resource)
Instantiates
Publication
Note
Description based upon print version of record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Contents; Contributors; About the Editor; Chapter 1 Introduction; So How are Things?; Structure and Summary; References; Part I Exploration and Experimentation; Chapter 2 Colin Renfrew: A Conversation; Chapter 3 The Cave and the Mind: Towards a Sculptural and Experimental Approach to Upper Palaeolithic Art; Acts of Discovery; Experimenting with Form; Found Objects; The Instability of Matter; Miniaturisation and Scale; Mark Making, Repetition and Animation; Discussion; References; Chapter 4 Joining Forces: Neuroaesthetics, Contemporary Visual art and Archaeological Interpretation of the Past
  • Introduction Neuroaesthetics; The Body as a Visual Art Object; Then; Now; Now and Then; Then Once More; Material Culture; Discussion; Summary; References; Chapter 5 Interface I: Day of the Figurines; References; Part II Curatorial Practice; Chapter 6 Art and Archaeology: The Ábhar agus Meon Exhibition Series; Ábhar agus Meon; The Project's Design; Recalibrating Heritage Spaces: Chronoscope, Newman House, 85--86 St Stephen's Green; Undercutting Lines Between Art and Heritage: The You That Is In It, Irish Museum of Modern Art
  • Critiquing Concepts and Conventions: Glass House Stone, Health Sciences Gallery, UCD After thoughts; References; Chapter 7 Art and Kilmainham Gaol: Negotiating Art's Critical Intervention in the Heritage Site; Introduction; Arts and Heritage Discourses: A Review; Escaping the Prison of the White Cube; Post-Cubist Heritage; Kilmainham Gaol: A Case Study of Arts Practice in the Heritage Site; Rules of Engagement: Arts Practice and Policy at Kilmainham Gaol; Conclusion; References; Chapter 8 Another Proof of the Preceding Theory: Film, Materialities and Stonehenge
  • Archaeology and the Materialities of FilmPil and Galia Kollectiv at the Stonehenge Riverside Project; Stonehenge 2008; The Art of Stonehenge; Another Proof of the Preceding Theory; Conclusion; References; Chapter 9 Home: An Installation for Living In; Introduction; Inhabiting an Installation Space; Friday, 22 February 2013; Saturday, 23 February 2013; Sunday, 24 January 2013; References; Part III Application and Exchange; Chapter 10 Dust and Debitage: An Archaeology of Francis Bacon's Studio; References; Chapter 11 Creating Contexts: Between the Archaeological Site and Art Gallery
  • Introduction The Ness of Brodgar; Test Trenches Part 1: Ness of Brodgar, August 2010; Test Trenches Part 2: Pier Arts Centre, January 2011; Discussion; References; Chapter 12 Artists Connecting Archaeologists: Encountering the Third Kind; Introduction; Connecting Archaeology with Contemporary Art; Connecting Practices: Parallel Field Activities; Archaeologists Interested Into Contemporary Artistic Practices; Contemporary Artists Interested Into the Field of Archaeology; Relation to Past and Memory Through Material Culture and Ruins
  • `Mock Sciences' Approaches and Challenging Institutions and the Public Awareness
Dimensions
unknown
Edition
1st ed. 2014.
Extent
1 online resource (250 p.)
Form of item
online
Isbn
9781461489900
Media category
computer
Media type code
c
Other control number
10.1007/978-1-4614-8990-0
Specific material designation
remote
System control number
  • (CKB)3710000000073714
  • (EBL)1592145
  • (SSID)ssj0001067184
  • (PQKBManifestationID)11616913
  • (PQKBTitleCode)TC0001067184
  • (PQKBWorkID)11080964
  • (PQKB)10265891
  • (MiAaPQ)EBC1592145
  • (DE-He213)978-1-4614-8990-0
  • (EXLCZ)993710000000073714
Label
Art and Archaeology : Collaborations, Conversations, Criticisms, edited by Ian Alden Russell, Andrew Cochrane, (electronic resource)
Publication
Note
Description based upon print version of record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Contents; Contributors; About the Editor; Chapter 1 Introduction; So How are Things?; Structure and Summary; References; Part I Exploration and Experimentation; Chapter 2 Colin Renfrew: A Conversation; Chapter 3 The Cave and the Mind: Towards a Sculptural and Experimental Approach to Upper Palaeolithic Art; Acts of Discovery; Experimenting with Form; Found Objects; The Instability of Matter; Miniaturisation and Scale; Mark Making, Repetition and Animation; Discussion; References; Chapter 4 Joining Forces: Neuroaesthetics, Contemporary Visual art and Archaeological Interpretation of the Past
  • Introduction Neuroaesthetics; The Body as a Visual Art Object; Then; Now; Now and Then; Then Once More; Material Culture; Discussion; Summary; References; Chapter 5 Interface I: Day of the Figurines; References; Part II Curatorial Practice; Chapter 6 Art and Archaeology: The Ábhar agus Meon Exhibition Series; Ábhar agus Meon; The Project's Design; Recalibrating Heritage Spaces: Chronoscope, Newman House, 85--86 St Stephen's Green; Undercutting Lines Between Art and Heritage: The You That Is In It, Irish Museum of Modern Art
  • Critiquing Concepts and Conventions: Glass House Stone, Health Sciences Gallery, UCD After thoughts; References; Chapter 7 Art and Kilmainham Gaol: Negotiating Art's Critical Intervention in the Heritage Site; Introduction; Arts and Heritage Discourses: A Review; Escaping the Prison of the White Cube; Post-Cubist Heritage; Kilmainham Gaol: A Case Study of Arts Practice in the Heritage Site; Rules of Engagement: Arts Practice and Policy at Kilmainham Gaol; Conclusion; References; Chapter 8 Another Proof of the Preceding Theory: Film, Materialities and Stonehenge
  • Archaeology and the Materialities of FilmPil and Galia Kollectiv at the Stonehenge Riverside Project; Stonehenge 2008; The Art of Stonehenge; Another Proof of the Preceding Theory; Conclusion; References; Chapter 9 Home: An Installation for Living In; Introduction; Inhabiting an Installation Space; Friday, 22 February 2013; Saturday, 23 February 2013; Sunday, 24 January 2013; References; Part III Application and Exchange; Chapter 10 Dust and Debitage: An Archaeology of Francis Bacon's Studio; References; Chapter 11 Creating Contexts: Between the Archaeological Site and Art Gallery
  • Introduction The Ness of Brodgar; Test Trenches Part 1: Ness of Brodgar, August 2010; Test Trenches Part 2: Pier Arts Centre, January 2011; Discussion; References; Chapter 12 Artists Connecting Archaeologists: Encountering the Third Kind; Introduction; Connecting Archaeology with Contemporary Art; Connecting Practices: Parallel Field Activities; Archaeologists Interested Into Contemporary Artistic Practices; Contemporary Artists Interested Into the Field of Archaeology; Relation to Past and Memory Through Material Culture and Ruins
  • `Mock Sciences' Approaches and Challenging Institutions and the Public Awareness
Dimensions
unknown
Edition
1st ed. 2014.
Extent
1 online resource (250 p.)
Form of item
online
Isbn
9781461489900
Media category
computer
Media type code
c
Other control number
10.1007/978-1-4614-8990-0
Specific material designation
remote
System control number
  • (CKB)3710000000073714
  • (EBL)1592145
  • (SSID)ssj0001067184
  • (PQKBManifestationID)11616913
  • (PQKBTitleCode)TC0001067184
  • (PQKBWorkID)11080964
  • (PQKB)10265891
  • (MiAaPQ)EBC1592145
  • (DE-He213)978-1-4614-8990-0
  • (EXLCZ)993710000000073714

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